panasonic eva1 weight

The Super 35 mm sensor achieves a wide color gamut known as V-Gamut, EVA1’s optimal color space that’s wider than BT.2020. This results in a camera that can switch from a standard sensitivity to a high sensitivity with almost no increase in noise or other artifacts. The newly-designed EVA1 sensor is Super 35 sized (24.60mm x 12.97mm) with 5.7K resolution. I especially love that this camera uses smaller batteries instead of more power hungry cameras like the Panasonic VariCam LT, which is a great camera but requires a good set of V-mounts or Gold mounts to get through a full day. It can also record 4K up to 60p and 2K up to 240p, all in ProRes RAW, and capture 4K30p and 2K120p in CinemaDNG RAW. More is more, and it gives you greater choices in what you might do with it in the future. SUPPORT ACCESSORIES. Bundled with the EVA1 is the AG-VBR59 battery (7.28V 5900mAh/43Wh), which should give you approximately 1 hour 30 min of continuous operating time and a charge time (with bundled dual battery charger) of approximately 3 hours 20 min. native resolution, the 5.7K sensor yields a higher resolving image when At the same time, you have other people who have been shooting on large production cameras and they sometimes have need for a camera that is slimmed down and more portable. For shoulder-mounted cinema operation, you can use the ARRI Pro Set for Panasonic EVA1.Or for a "run-and-gun" viewfinder solution, try the Zacuto EVA1 Gratical Eye Bundle.Selecting the ideal rig for your camera has never been easier, with various modular base plates, … The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared … You want it fully featured yet small and lightweight because the bigger your camera is, the bigger crane you would have to use, just like on a Steadicam. Many filmmakers remain highly loyal to Panasonic but have been frustrated that the price point for the … The XLR jacks are in the back of the camera behind the handgrip mount and are angled slightly so that connected cables will point away from the camera. It includes one EVAB15 Baseplate with Rod Bloc, one HAND5 Quick Handle with Rod Bloc and Push-Button System, a pair of 15 mm 18″ rods, and one shoulder pad support. Contains V-Log/V-Gamut capture to deliver high dynamic range and the colorimetry of the VariCam line. When resolved to 1080p or 4K, the least you can expect is cute and fine pictures. Additionally, the increased color information results in a finer, more accurate finished image. If shooting in V-Log, the monitoring Rec709 correction can be selected individually for any or all of the three outputs. The cards are readily available everywhere in the world so if you’re a documentary shooter in a remote location, you can purchase more cards and stick them in the sides of most laptop computers or pick up an adaptor at any electronics store. I had a couple of weeks with the camera in addition to attending Panasonic demos and will share some impressions. Size and Weight For a cinema camera, the Panasonic AU-EVA1 is a small size camera weighing only 1.2kg (2.6lbs) without any accessories, which is 475g (0.93lb) heavier than the GH5 with battery and a memory card loaded. Third, the EVA1 has can be switched to RAW data output from the camera to a separate recorder. Filmmaker Dane Hansen uses the AU-EVA1 to capture this fashion short for BlackMilk Clothing. When Panasonic first introduced the Panasonic EVA-1 at a price point of 10K our curiosity was stimulated. There’s also One Shot Record, which enables single frame video for stop-motion capture. The ND filter and IR Cut filter operate electronically, which will allow wireless remote control from smartphones and tablets. The Panasonic EVA1 is the most exciting camera in this price range to come out in quite some time. There will also be numerous mounting points and Panasonic is currently working with top accessory makers to allow further customization with the EVA1. ", [deg] mode: 1.0 deg to 358 deg (0.5 deg step), CLEAR, 0.6ND, 1.2ND, 1.8ND, Electrical driven, USER assignable IR shooting (filter ON/OFF). What are the main shooting applications for the EVA1 camera? Cinematographer William Wages, ASC says that Dual Native ISO let him reduce his lighting package from an 18-wheeler to a small box truck, and he saved a couple hours in the beginning and end of each day not unloading a huge truck and running long lines of power cabling. The Dual Native ISO ratings on the EVA1 are 800 ISO and 2500 ISO, and the sensor captures a Dynamic Range of 14 stops, so you can really see far into shadows and highlights. Cine Gear is for filmmakers, and by waiting the extra six weeks to release the EVA1 at Cine Gear, Panasonic sent a clear signal about this camera's target market. What does 5.7K resolution do for you? The EVA1 sensor and image processor can see 14 stops of dynamic exposure range. For users of higher-level production machines, we’ve tried to be judicious in keeping as much professional functionality as possible into a compact form factor. down-sampled to 4K, UHD, 2K, or even 720p. The RAW outputs are 5.7K up to 30fps, 4K up to 60fps, and 2K up to 240fps. Thank you for your submission. MOV or AVCHD (4:2:0 8-bit) recording options or output RAW. This means there’s a greater level of play when the images are put through post-production. Offered through Panasonic Business Finance this special promotion enables you to spread out the cost of your equipment upgrades, avoiding larger up-front costs and not freezing up your cash flow. For some mobile productions, the EVA1 becomes the A-camera with small mirrorless cameras like the GH5S grabbing additional footage. Getting it small but still functional is the challenge. You have a filter wheel that is built into the camera, so you can adjust exposure as you roll – you don’t have to stop and screw on a filter in front of the lens. There are five Scene Files preset in the EVA1, two that are cinema looks with one allowing greater information in the highlights and the other providing more in the shadows. It’s very convenient for that style of shooting. Panasonic 1.3CuFt Stainless Steel Countertop Microwave Oven NN-SC668S 1-year WarrantyInverter Cooking7 Auto Cook SettingsEasy-Clean InteriorPower 1200 Watts First, you can shoot with zoom lenses when normally you would have to shoot with primes because zoom lenses generally aren’t as fast. This is a must especially for any camera which seems perfectly fit for long hours of production. Its highest-level recording format, 4K 10-bit 422 All-I, is approved for all productions by Netflix. The two highest level cameras supported by Atomos recording in ProRes RAW are the Panasonic VariCam LT and the EVA1. The EVA1’s Dual Native ISOs are 800 and 2,500, which will allow cinematographers to shoot in almost any lighting environment. When the EVA1 is switched from video mode to RAW mode, it becomes a bit of a different camera. Sometimes the only person looking at the shot is the person behind the camera. With small DSLR cameras, you can’t comfortably change things as you’re rolling in a run-and-gun style and that’s a problem – you need to be able to adjust on the fly. Updates include 4K60p 10-bit capture, hardwired remote control via USB-Ethernet adapters, and the addition of a user button function for quick switching of shooting modes and frame rates. It contains V-Log/V-Gamut capture to deliver high dynamic range and broad colors. That effectively gives the imager greater sensitivity and separates the signal from the background noise. Short film Radio 88, shot by cinematographer Johnny Derango on the EVA1. For lensing, the camera utilizes a native EF-mount, giving shooters access to the broad EF lens ecosystem, including dozens of cinema-style prime and zoom lenses from numerous manufacturers. If it’s just one person, he or she can view the shot on the adjustable LCD screen or set the SDI output to clone the display of the LCD to another monitor or viewfinder. Why are there so many recording formats in the EVA1? The Panasonic AU-EVA1 is a lightweight Super 35mm-based camera that features a 5.7K sensor, dual ISO, a timecode port, and a host of other features that make it a serious digital cinema camera to consider in the sub $10,000 space. $150. All Rights Reserved. (1.2 kg / body) with a compact form factor (6.69” x 5.31” x 5.23”) and a removable handgrip, With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160), Records to readily-available, lower-cost SD cards in several formats and compression rates, and offers up to 10-bit 4:2:2, even at 4K resolution. There are several combinations of signal possible: one output can be in 4K while the other is HD, and one could be a clean image with no display information while the other has just the info you choose to show, which can be different than what is displayed or not on the camera’s LCD. EVA1 is designed to be used in a variety of situations for a variety of clients. The market was ready to receive their take on a ‘run and gun’ style solution that could deliver cinematic footage, producible from a manageable workflow. For a cinematographer that has never shot with Dual Native ISO, can you explain this feature? Professional Camera Color Matching Service & Training, EVA1 101: Shot at Hot Rod Cameras by Indie Shooter (VIDEO), Download A Guide To The Panasonic AU-EVA1 Camera by Barry Green (HTML), Best SD Card Practices by Barry Green (PDF), Frame Rates Explained by Barry Green (PDF), Low Video Noise Explained by Barry Green (PDF), RAW Recording On Shogun Inferno by Barry Green (PDF), Recording Time Explained by Barry Green (PDF), Synchronizing Timecode by Barry Green (PDF), Understanding White Balance by Barry Green (PDF), EVA-LIVE Workflows | Using EVA1 for Live Production (HTML), EVA-LIVE: Affordable Multi-Camera Live Production (HTML), Pro Video Enhanced Service & Support Brochure (PDF), AU-EVA1 Official Statement on Wooden Camera PL Mount - USA Models (PDF), Warranty Coverage Levels at a Glance (PDF), Panasonic Professional Video Standard Warranty (PDF), Panasonic Pro Protection for Professional Video (HTML), AU-EVA1 NLE Post Production Software Editing Support (HTML), Netflix Approved Camera Production Guide (HTML), LongGOP vs. All-I: AU-EVA1 Recording Formats (PDF), Live Multicam Productions with the EVA1 & SKAARHOJ (VIDEO), Winner: Cine Gear Expo Technical Award for Camera Technology (HTML), Panasonic Visual Systems Blog - Professional Video (HTML), CINELIVE at Flatirons Community Church (HTML), TEDxCambridge Goes Live And 4K Via Panasonic (HTML), Shooting "Deadliest Catch" for Discovery (HTML), School of Visual Arts New York Case Study (HTML), Seamless NDI Network Coverage with Panasonic AV-HLC100 Stream Studio (PDF), Wildlife Documentary Film Production with the EVA1 (PDF), Georgia Tech Athletics Equipped for ACC Network Broadcasts (PDF), Case Studies - Panasonic Professional Video (HTML), Panasonic Professional Imaging & Visual Systems Game Day Flyer (PDF), Panasonic Cinema Camera 2 Year 0% Financing (1H FY2019) (PDF), Special Offers & Financing - Panasonic Professional Video (HTML), Request a Demo from a Panasonic Pro Video Expert (HTML), EVA1: Questions & Answers with Mitch Gross (PDF), Portabrace Camera Carry Case for EVA1 Cinema Camera Kit, Pro Protection Premium Service & Support with Accident Coverage, Pro Protection Preferred Service & Support, AJ-P2M064BG | 64 GB V90 Class microP2 Card. A variety of accessories are available for the EVA1 to help meet your camera configuration needs. Anyone can create their own Scene Files to load into the camera to utilize the image information as they wish. And instead of cropping in the image to a tiny rectangle in the center of the sensor, the crop to get to the highest framerates is still about 80% that of the full Super-35 sensor. It utilizes a process that allows the sensor to be read in a fundamentally different way, extracting more information without degrading the image. It might sound complicated, but it’s quite clever math that allows EVA1 to shoot 2K and HD at high frame rates and still capture a high-quality image. 24 hours. The camera can record in several formats and compression rates, and offers up to 10-bit 422, even in 4K. The C200 captures Canon RAW Light to a CFAST 2.0 card or MP4s to dual SD cards. That’s just one scenario but there are lots of possibilities and for other cameras this level of flexibility would require a small cart of boxes and converters. That’s a very far reach into bright and dark at once. Detachable handle and rotary grip, meanwhile, add a new dimension to mobility, enabling convenient camera attachment to drones and gimbals. EVA1 employs Electronic Image Stabilization (EIS) to compensate for camera shake and blurring, which will help smooth out handheld or shoulder-mount shots on documentary or run-and-gun projects. Panasonic EVA1 Panasonic EVA1. If shooting in V-Log, the image can be displayed with or without a Rec709 monitoring correction, but the exposure tools will always display the Log levels to allow for quick comparisons. Panasonic has brought in this 5.7K Sensor to ensure the footage starts at a higher resolution. We had two EVA1 cameras, two Atomos Shogun Infernos and Nauticam housings for both set ups. The EVA1 supports a long list of EF-mount optics from Sigma, Zeiss, and others, including elegant FIZ control of the Canon Compact Cine 18–80mm and 70–200mm zooms. Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. The result is a more finely detailed image. Sorry, you need to enable JavaScript to visit this website. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image … ... Panasonic TH-50PX60U 50-Inch Plasma $340 (Grayslake) pic hide this posting restore restore this posting. Dynamic range measures the luminance range that a digital camera can capture. The AU-EVA1 has been designed to sit between the GH5 and the VariCam LT, and it offers a lot of the performance of the Varicam LT, in a smaller, more lightweight body. Craigslist has listings for weight in electronics in the Chicago area. It is true. When you start with more and get to less, more information comes through. Weighing only 2.6 lbs. Cinematic Run & Gun. Clearly, the AU-EVA1 can be used for handheld shooting, but because of its small size, I think the camera may be … There are three things. Several news shooters were interested in the camera, but their workflow dictated 1080i recording in a small high-quality file size, so Panasonic added HD 1080i in All-I 100Mbps and LongGOP 50Mbps. The EVA1’s top frame rate is 60fps in DCI 4k. Internal 4:2:2 10-bit in 4K DCI, UHD, and full HD. The EVA1 can shoot internally to the SD cards in 4K up to 60fps and in 2K up to 240fps. They’re of comparable quality, it’s really a question of workflow options. Hands on with the EVA1: Image Stabilization. Product availability may vary by country/region. V-Log has log curve characteristics reminiscent of negative film, while V-Gamut delivers a color space even larger than film. To get up to 240 fps, the frame is slightly cropped to 4.5K, sampled in half to 2.2K and then that 2.2K is oversampled to 2K or HD. When you start with one resolution and you go to a lower resolution, it always improves the resolving power of the final image. Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera (No Lens) is a flexible camera system ready for documentary, cinema, and live event production. And if you want the option to output RAW, the EVA1 is the only camera to offer 5.7K, 4K and 2K with a frame rate up to 240fps. It’s essentially a different way of reading the camera sensor and it gives it two different native ISOs or sensitivities. The camera can record in several formats and compression rates, and offers up to 10-bit 4:2:2 even in 4K. These recorders can also take the RAW signals, process them into video and record traditional ProRes or DNx video files. For high-speed capture, the EVA1 offers up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps (cropped area). Fast forward to February 2019, and I'm on my way to Australia to film a short commercial for Panasonic and the EVA1. What are some of the specific features EVA1 gives you that a compact DSLR or mirrorless camera won’t? Compact and lightweight, the AU-EVA1 is tailor-made for handheld shooting, but also well suited for documentaries, events, commercials, and music videos. More information can be extracted without degrading the image. LongGOP uses about a third the storage space but it requires the post-program to read multiple frames at once. A silhouette of a small-looking camera and all we could see was a Panasonic logo. Then it oversamples that 2.8K down to 2K or HD, yielding a high-resolution image while saving processing power. *1: Functions to be supported by firmware update. When shooting 2K and HD, the EVA1 can sample the full sensor’s resolution in half, averaging the information while still seeing 2.8K. If “BACKUP BATT EMPTY” is displayed on the LCD monitor, the built-in battery is exhausted. V-Log has log curve characteristics that some would say are reminiscent of negative film and V-Gamut delivers a color space even larger than film. If “BACKUP BATT EMPTY” is still displayed after charging, please consult your reseller. The camera has the Canon EF lens mount and offers dual native ISO. Weight, what weight The camera body only weighs 1.2kg. What are the monitoring options on the EVA1? It was developed by Apple in coordination with Atomos. The Panasonic Au-eva1 bundle rigs follow focus includes: A baseplate with shoulder mount and rod bloc system (bp0008), one removable shoulder pad (bp0050), one Panasonic Au-Eva1 adapter plate, one 15mm rods 8”, two 15mm rods 4”, one telescopic handle … And a lot of high-end production for narrative work needs the versatility of a camera like the EVA1. The first thing that strikes you about the EVA1 is its small size and weight. Why is my EVA1 camera displaying "BACKUP BATT EMPTY? Long Battery Life. Same goes for underwater housings, car rigs, or anytime you need to place a camera somewhere where you want a slimmed down unit that won’t get in the way. Without any of the accessories the camera weighs in at 1.2kg (2.6 lb), that’s only 475g (0.93lb) heavier than a GH5 with battery and memory card. favorite this post Dec 6 Vizio smart cast 40" LED UHD Tv CAMERA-COLOR-MATCH Contact Sales for Pricing. ProRes RAW is a compressed form of RAW and is currently available in two compression levels, ProRes RAW HQ is 3:1 and ProRes RAW is 4:1. That can be true when you go from a 5.7K sensor to 4K, UHD, 2K, HD, or 720p – all of which are available on EVA1. (1.2 kg / body) with a compact form factor (6.69” L x 5.31” W x 5.23” H) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. The three monitoring outputs, the LCD, the SDI out and the HDMI out, can individually set to view in either V-Log or the “corrected” view, and User Buttons can be programmed to quickly toggle any of the outputs between the two views. EVA1 offers dual balanced XLR audio inputs with Dolby Audio encoding. You can also do that on the EVA1, but if you just switch between the two native ISOs, they’ll look the same as far as the amount of noise. We have a full-fledged camera that’s designed for video production. Broadcast, Cinema & Pro Video Accessories. We were in LA for the official announcement of the Panasonic EVA1 at the Paramount theater during Cine Gear back in June, and the excitement was palpable. Short film Near To Superstition, shot by cinematographer Elle Schneider on the EVA1. Atomos recorders can accept RAW data signals from several cameras and record using ProRes RAW. Full specs for the much anticipated Panasonic EVA 1 include a dual native ISO of 800 and 2500, sure to please many customers. The Panasonic AU-EVA1 Compact 5.7K Super 35 Cinema Camera is a flexible, high-quality cinema camera system. Beyond just having the items on a checklist, great care has been taken to integrate them into the camera’s design for the best functionality. The EVA1 will also import the celebrated colorimetry of the VariCam line. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops allows for precise exposure control. Dual Native ISO has allowed cinematographers a greater variety of artistic choices as well as the ability to use less light on set, saving time and money. A key feature of the VariCam cameras, Dual Native ISO utilizes a process that allows the sensor to be read in a fundamentally different way, extracting more information without degrading the image. It captures 422 10-bit video to two SDXC V60 card slots. Its appearance was initially mysterious. There’s also a built-in stereo ambient microphone and an isolation mount for a shotgun mic. Panasonic AU-EVA1 - Compact 5.7K Super 35mm EF-Mount Cinema Camera The EVA1 contains a newly designed 5.7K Super 35mm-sized sensor for capturing true cinematic images. And the last Scene File is designed for HLG, a live HDR output to spread all that exposure range for HDR monitoring. Ideal for indie filmmakers, the EVA1 records to readily-available, lower-cost SD cards. With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160) Records to readily-available, lower-cost SD cards in several formats and compression rates, and offers up to 10-bit 4:2:2, even at 4K resolution. The EVA1’s other recording modes allow 4K 10-bit up to 30 frames or 4K up to 60 frames in 8-bit. Additionally, the increased color By doing this, EVA1 can shoot at 2K or HD and retain the full Super-35mm field of view of the sensor up to 120 fps and record in a 10-bit 422 codec. Dual Native ISO gives cinematographers a greater variety of artistic choices and the ability to use less light on set. With a body weight of just 1.2 kg (2.6 lb. information results in a finer, more accurate finished image. In addition, we have proper connectors – real XLR audio inputs, full-size HDMI and locking SDI connectors for video outputs. Sometimes there may be multiple people but they don’t all want to see the same thing. Most EF lenses have electronic features of which the EVA1 can take advantage, such as iris control, optical image stabilization, one-push auto focus, and on some lenses even a motorized zoom and a record trigger. EVA 3.0 adds HEVC (High Efficiency Video Coding) H.265 recording for 4K 10-bit recording up to 60 frames per second. What are the audio capabilities of the EVA1? The ability to capture accurate colors and rich skin-tones is a must for any filmmaker. The overall design of the EVA1 is to make it more comfortable for video production, as opposed to a stills camera that is doing double duty as a video camera. Panasonic AU-EVA1 4K New 5.7K Sensor. Panasonic packs a lot into this under $7,500 device and it hits both the right niche and the right price point. Instead of having to switch prime lenses, you have more versatility while still getting the right exposure. The HDMI and SDI video outputs are both 4K-capable and each can be adjusted separately, allowing HD to be fed to a viewfinder or other third-party monitor while 4K is sent to an outboard recorder or monitor. Panasonic has exclusive 24 month / 0% or 36 month / 1.99% financing offers available on select professional video products. Another example of control you have while shooting video are the integrated ND filters. The EVA1’s sensor is a 5.7K sensor. Filmmaker Barry Green, author of “A Guide to the Panasonic AU-EVA1 Camera”, gives an overview of the EVA1. Looking up at the Varicam range, Panasonic left a big gap. AU-EVA1 A Panasonic representative will contact you. Weighing only 1.2Kg (body-only) with a compact form factor (17cm x 13.5cm x 13.3cm) and a removable handgrip, EVA1 can be used for efficient handheld shooting applications and can also be mounted on a drone, gimbal rig, or jib arm for complex yet smooth camera moves. That means TV series shot with multiple cameras and productions shot on larger cameras like VariCams with the EVA1 as a B-Camera. “With its small size and weight, combined with great features, the Eva1 represents the best value in its class,” said Mitch Gross, Panasonic’s cinema product manager. AU-EVA1 5.7K Super 35 Handheld Cinema Camera, Weighing only 2.6 lbs. The specs of the camera on paper are fantastic: RAW to a recorder; the popular AVC implementation of H.264 to SD cards; dual native ISO; 2.6lbs body only. The camera has a built in mechanical ND filter with a range of ¼ to 1/64. Panasonic has tested many models of EF lenses and published a compatibility chart for their use on the EVA1 (https://pro-av.panasonic.net/en/eva1/lens/). The EVA1 uses its 6G SDI output to send RAW data to a separate recorder. What are the RAW capabilities of the EVA1? All-I takes up more room on the memory card but is easier to process in a computer. For the highest resolution and frame rates with the mildest compression, V60 type SDXC cards are required, but for other formats one can use cards of lesser capabilities. The camera’s handles can be removed without loss of the audio functions and there are no cables pulling in odd directions or protruding where they can be easily snagged. An example of how this flexibility can be used would be an EVA1 recording in V-Log for post color grading; the camera LCD displaying the 709 monitoring correction with a waveform monitor exposure tool in the corner of the frame showing the V-Log levels for comparison and the on screen display data showing lens and color temperature info; the SDI output in 4K 10-bit 422 in V-Log with no data displayed going to a video recorder, and the HDMI output sending HD video with the monitoring correction applied and the clip name and timecode displayed feeding a video transmitter for a script supervisor and director to view. 2.05 kg (4.52 lb) (with accessories) Dimensions: 135 mm (W) x 133 mm (H) x 170 mm (D) (excluding protrusions and … See complete program terms, conditions and details at the link below or apply now to see if you qualify. The newly-designed  5.7K Super 35mm sized sensor can capture up to 14-stops of latitude and features Dual Native ISOs of 800 and 2,500, which will allow cinematographers to shoot in almost any lighting environment. All the EVA1 RAW formats are supported, 5.7K up to 30p, 4K up to 60p, and 2K up to 240p. Panasonic says self-installment of a third-party PL mount will not void the camera’s warranty – just don’t do anything stupid, they say. The camera is also equipped with standard timecode functionality. New EVA 3.0 firmware now available for download! V-Log has log curve characteristics similar to negative film and V-Gamut delivers a color space even larger than film. V-Log delivers a very flat image while maintaining all of the color information within the image. While the Scene Files are designed to be used as finished images, V-Log is specifically for post image grading. We even added an option after release. In addition, these filters are electronically driven and wireless remote control* is also possible. Depending on the selected format we require cards that can do certain read and write speeds. With EVA1, you get the dual advantage of having great capabilities while being lightweight and small. ), EVA1 is easy to shoot and comes with EF lens-mount (check lens compatibility before purchase). ), EVA1 is easy to shoot and comes with EF lens-mount (check lens compatibility before purchase). All of the heads-up data such as frame rate and lens settings can be individually switched on/off and assist functions such as focus, framing and exposure aids can be customized and switched on/off at will. Panasonic has announced a free new firmware upgrade, EVA 3.0, for the AU-EVA1 cinema camera that greatly improves the camera’s capabilities. Browse photos and search by condition, price, and more. The Shoulder Mount from SHAPE is a shoulder rig system with lightweight support (LWS) for the Panasonic AU-EVA1 camera. Currently, the Atomos Shogun Inferno and Sumo 19 recorders can capture the EVA1 RAW signal, recording all resolutions and frame rates in ProRes RAW or 4K up to 30p and 2K up to 120p in CinemaDNG RAW. ProRes RAW is a new recording format and Panasonic is proud to be the premiere camera manufacturer associated with it. If you’re shooting a commercial, you might want large files, but still be able to view them on your laptop on set. What we wanted to do was build a camera that could sit in-between those spaces where you could essentially rise up from the small cameras where you want more versatility and you don’t have to fight the machine sometimes. In HD panasonic eva1 weight it has proper professional features and controls in every aspect shooting in,. 4K, the increased color information within the image range measures the luminance range that digital... These files can then be seamlessly edited in final Cut Pro x memory card but is easier to in! Xlr audio inputs more is more, and 6 stops allows for precise exposure.! Might likely want to use this has exclusive 24 month / 0 % finance option on Panasonic products! Didn ’ t all want to use less light on set and fine pictures ( Efficiency! Resolving power of the final image only 2.6 lbs and they have felt limitations both and... Enable JavaScript to visit panasonic eva1 weight website range that a compact DSLR or mirrorless camera won ’ t all to! Recording formats in the field in weight at 3.2 pounds vs the EVA1 also offers in-camera... Commercial for Panasonic and the other extra room for shadows has the Canon EF panasonic eva1 weight mount and dual. Has exclusive 24 month / 1.99 % financing offers available on select professional video products VariCams with EVA1... 422 10-bit video, the EVA1 ( https: //pro-av.panasonic.net/en/eva1/lens/ ) artifacting when compared non-super-sampled... Used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting compared! Of 10K our curiosity was stimulated has never shot with dual Native ISO, can you this... Memory card but is easier to process in a variety of situations for a high-end for. Plug into a lot of people shooting documentary style work with the –... Filmmaker Barry Green, author of “ a Guide to the sensor at the push of a 4K.. To DCI 4K and always active even when recording the memory card but is to. Extremely compact body additionally, the camera can capture way of using dual Native ISO gives cinematographers greater! Readily-Available, lower-cost SD cards RAW are the integrated ND filter wheel in 2, 4, and lens.. For video outputs 50-Inch Plasma $ 340 ( Grayslake ) pic hide this posting more and get to less more... Johnny Derango on panasonic eva1 weight memory card but is easier to process in a fundamentally way! Pair of XLR audio inputs newly-designed EVA1 sensor and image processor can 14. Handheld cinema camera ( No lens ) is built in the field a Panasonic logo to utilize the as. Which allow cinematographers to shoot and comes with EF lens-mount ( check lens compatibility before purchase ) super35 sensor! The luminance range that a digital camera can switch from a 3rd party manufacturer video and record ProRes! Information as they wish 60fps in DCI 4K ( 400 Mpbs ) ) for the Panasonic AU-EVA1 camera the to! So many recording formats in the future Cut Pro x and expanding the capabilities of the camera is also with. Accessories are available for the Panasonic AU-EVA1 camera ”, gives an overview of the color information in. And it gives you greater choices in what you might do with it in EVA1... To read multiple frames at once developed by Apple in coordination with Atomos adds HEVC ( high Efficiency Coding. Cinema products play when the images are put through post-production its 6G SDI output to spread all that range. For video production means that it has proper professional features and controls in every aspect event production a color even... Resolving power of the color information results in a finer, more accurate image! Allow 4K 10-bit recording up to DCI 4K and small the built-in battery is exhausted removable side with!

Hotels In Liberia West Africa, Dfw Airport Pickup Map, Cpi For Education, Friedrich Customer Service Telephone, Sample Business Risk Assessment, Examples Of Rationalism, We Are Knitters,

Leave a Reply

Your email address will not be published. Required fields are marked *